Alla Simone Peterzano s Oljemålningar
Vilja ID Bild  Oljemålningar Från A to Z       Information 
86617 Peapods and Cherries  Peapods and Cherries   Date second half of 16th century Medium Oil on prepared paper Dimensions Height: 16 cm (6.3 in). Width: 15 cm (5.9 in). cjr
90533 Peapods and Cherries  Peapods and Cherries   second half of 16th century Medium Oil on prepared paper Dimensions Height: 16 cm (6.3 in). Width: 15 cm (5.9 in). cyf
86615 Still-Life of Figs  Still-Life of Figs   Date second half of 16th century Medium Oil on prepared paper Dimensions Height: 19 cm (7.5 in). Width: 29 cm (11.4 in). cjr
90524 Still-Life of Figs  Still-Life of Figs   second half of 16th century Medium Oil on prepared paper Dimensions Height: 19 cm (7.5 in). Width: 29 cm (11.4 in). cyf
90532 Still-Life of Squash  Still-Life of Squash   second half of 16th century Medium Oil on prepared paper cyf
86616 Still-Life of Squash, Lilies, Peaches, and Pears  Still-Life of Squash, Lilies, Peaches, and Pears   Date second half of 16th century Medium Oil on prepared paper Dimensions Height: 26 cm (10.2 in). Width: 40 cm (15.7 in). cjr
Simone Peterzano
(c. 1540 - c. 1596) was an Italian painter of the later Mannerism, native of Bergamo. He is mostly known as the master of Caravaggio. He was a pupil of Titian in Venice, Peterzano debuted in Milan with the counterfaçade frescoes in San Maurizio al Monastero Maggiore (1573), influenced by Veronese and Tintoretto. In the same year he painted two canvasses with Histories of Sts. Paul and Barnabas for the church of San Barnaba, also in Milan. Also from the same period are a Piete in the church of San Fedele and a Pentecost for San Paolo Converso (now in Sant'Eufemia). Between 1578 and 1582 Peterzano executed frescoes in the presbytery of Garegnano Charterhouse, considered one of his masterworks. His last works, characterized by a cold monumental style, include a fresco with Stories of St. Anthony of Padua for the church of Sant'Angelo, a canvas with Madonna with Child and Saints for the parish church of Bioggio (Canton Ticino) and an altarpiece with St. Ambrose between Sts. Gervasius and Protasius in the Duomo of Milan (1592, now in the Pinacoteca Ambrosiana).



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